德拉克的回归

剧情片《德拉克的回归》在线观看地址http://www.e7yl.com/1/98462.html。《德拉克的回归》是由拉多万·卢卡夫斯基,古斯塔夫·瓦拉赫,艾米丽娅·瓦等主演,爱德华·格莱纳导演。青苹果影院第一时间为您更新。与Stefan Uher和Elo Havatta同样，Eduard Grecner也是60年代斯洛伐克新浪潮影戏的缔造者之做人要是没有妄图，那跟咸鱼有什么区别？快回火星吧，地球上是很惊险滴！ 。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮影戏的代表作。这部叙事法子独特带有赫然意识流作风的黑白影片甚至直接影响到了起初法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially如果您喜欢拉多万主演的《德拉克的回归》这部影视作品，请把它推送给好的朋友，有您的信任我们会做的最好。祝您观影愉快！ 与Stefan Uher和Elo Havatta同样，Eduard Grecner也是60年代斯洛伐克新浪潮影戏的缔造者之做人要是没有妄图，那跟咸鱼有什么区别？快回火星吧，地球上是很惊险滴！ 。他的三部影片《一周七天》（1964）《尼绒月亮》（1965）和这部《徳拉克的回归》都是斯洛伐克新浪潮影戏的代表作。这部叙事法子独特带有赫然意识流作风的黑白影片甚至直接影响到了起初法国导演格里耶在捷克拍摄的两部影片《说谎的人》和《Eden and After》。　　A special place in the development of feature films is reserved for Eduard Grecner, the creator of just one good film, Dragon Returns (Drak sa vracia, 1967), titled after the nickname of the lead character. After his initial work with Uher, Grecner made his mark as a proponent of the so-called intellectual film, the antithesis of the sociologically, or rather, socially critical film. Grecner's great role model was Alan Resnais, a young French fil妹妹aker who sought to introduce Slovakia to the idea of film as a labyrinth in which meanings are created not by stories, but by complex configurations of dialogue, shots, and various layers of time, thus differentiating film from both literature and theater. In Dragon Returns―the story of a solitary hero who is needed by villagers living far in the mountains, but who is rejected by them at the same time because of his detachment―Grecner brought the tradition of lyricized prose to life through a whole series of formal aesthetic techniques. Alain Robbe-Grillet i妹妹ediately developed this idea in the film shot in Bratislava The Man Who Lies (Slovak Muz, ktory luze; French title L'ho妹妹e qui ment; 1968), and perfected it in Eden and After (Eden a potom, 1970).

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